I aim to create live, dynamic, interactive, and physically compelling experiences in a world full of seated, on-demand, in-your-hand entertainment. I draw on my international background in mime, dance, puppetry, teaching, and clown to build work both virtuosic and accessible. I want to integrate the audience into the experience, not only as viewers, but as participants. I develop each new piece in a way that allows the audience to contribute both to the process and the performance.
In an effort to make work that is both topical and dialogical, I start with a question; something too complex to know the answer, something integral to my life, constantly on my mind, often making me burn or cry or both. Usually it’s something that scares or embarrasses me, but when I tease it out, I find others eager to discuss it. Rather than simply airing my own opinions and conclusions, I draw on our collective wisdom to develop the question. I want to see how it is reflected in the lives around me. So I begin with interviews. The resulting work strives to be both entertaining and socially engaged. It is a reflection of the diverse and diverging views that come up in the interviews and other crowd-sourced questions. I do not seek a concrete, universal answer, but rather to challenge our assumptions and bring people together over our otherwise isolated human struggles.